Natsuzake is Summer Sake


While this summer has certainly been a lot of things for many of our listeners, we hope that one thing which has been a defining mainstay throughout the summer of 2020 has been sake.

Summer is gradually winding down a bit at this point, but we thought it was about time we did a (semi-)timely episode that celebrates the sake of the season. For summer, that’s natsuzake. Literally “summer” (natsu) “sake” (zake), this relatively recent entry into the seasonal release calendar has rapidly garnered fans from across the sake-sipping spectrum and the annual releases have turned the category into one that grows and evolves dynamically every year, birthing more unique products and interpretations of the style than even the most dedicated follower of sake can hope to keep up with.

Although no one particular property defines what is (or isn’t) natsuzake, profiles commonly trend toward things like bright flavors, lower ABV, slight effervescence, a gentle palate, and general qualities that tend to require refrigeration or ice cubes (or both), lending to relatively sessionable sake. As a result, if you can get your hands on the stuff, it often tends to be a great entry point for a lot of new drinkers into the sake category itself, as well.

This week Chris Hughes is joined by Rebekah Wilson-Lye and Marie Nagata, where they cover the history of the summery beverage, its evolution, definitions (and its accompanying ambiguity), personal experiences and suggestions, and more.

Go ahead and put a bottle on ice and slide into a patio recliner to beat the heat with us on this week’s episode of Sake On Air.

When you’re done, go ahead and  drop us a review on Apple Podcasts, or reach out to us at questions@sakeonair.staba.jp. You can follow our current limited movement on  InstagramTwitter, and Facebook, or join us over on YouTube, as well.

Thanks for listening and we’ll be back with more Sake On Air in a couple of weeks.


– Rebekah uses the term “kanzake” occasionally to refer to sake brewed in the winter while discussing traditional sake brewing practices and seasons. For our regular listeners, you may have heard this word before in an entirely different context. Note that this is not actually the same word. The terminology that Rebekah uses is actually a less-common term for what is often referred to as “kanzukuri”.
Prestige Sake Association comes up while discussing its role in developing the natsuzake product concept.
Ajinomachidaya, a sake shop and wholesaler located on the west end of Tokyo, near Nakano, also comes up in referencing the development and proliferation of natsuzake.
– The Sake Cellar ideal for storing your natsuzake.
– Big thanks to Takahiro Nagayama of Nagayama Shuzo (Taka) and Yusuke Sato of Aramasa Shuzo (Aramasa) for their support when preparing for this episode.

Sake On Air is made possible with the generous support of the Japan Sake & Shochu Makers Association and is broadcast from the Japan Sake & Shochu Information Center in Tokyo. The show is a co-production between Export Japan and Potts.K Productions, with audio production by Frank Walter.

Our theme, “Younger Today Than Tomorrow” is composed by forSomethingNew for Sake On Air.

Follow up to “Talking Terroir” (EP 18)


On a recent overseas sake promotion project guiding wine experts around breweries in Japan, one term that popped up more times than I care to remember was terroir. Not from the wine experts, but from the breweries, who were using it in their marketing spiel.

However, what I later learned from the feedback of the participants is that very few were really using the term correctly. They were claiming there was a terroir where perhaps there wasn’t. I realized that in the sake world, the concept, if it even existed, or needed to exist, was blurred. Many breweries think that throwing in words from the wine world instantly makes their sake more familiar overseas, but in reality, very few people really relate to or understand these buzzwords that they are using.

Where does ‘terroir’ start from?

Despite having recently acquired a high-level wine qualification, I myself didn’t have a perfect grasp of the terroir concept. As you may have noticed in this podcast, I couldn’t even pronounce the word properly. I learned that there is even a debate in the wine world about the true definition of terroir. If the wine world is still not sure what terroir is, then surely its adoption by the sake world is a little premature. The more research I did on the topic, the more it became clear that the timing was right to get a podcast on this topic out in the open.

The intention was never to conquer the topic in one episode. This episode is simply laying the groundwork for future exploration. I went into this podcast on the fence about terroir. And I remain on the fence. Terroir definitely helps the smaller breweries stand out, but I am not sure it is the right word they should be using to talk about what is essentially just regionality.

We didn’t really talk much about the protective purpose of terroirs with regards to geographic indications, etc., but this always felt to me like an entirely different debate. Some of our listeners may already have made their mind up about the terroir of sake, but whatever your feelings about this topic, I definitely think more debate and more analysis is needed before we jump to any conclusions. In future episodes, I think we will need to include more insight from the actual brewers and representatives of the wine world to help flesh out the discussion. 

No Rice No Life

Directors cut: we also talked about the relationship between local cuisine and sake, Japanese beer production, and the concept of jizake, but these segments all sort of felt like they lost focus a bit, so they didn’t make it into the final cut. We may (likely) revisit any or all of these one day.

– Chris H. (aka Big Chris) –